Studios, sets and galleries we work in
A look at the kinds of rooms and tasks that fill our days: control desks, pedestal cameras, lighting rigs, audio consoles and live galleries.
Inside the studio
These images show the areas of a studio where we spend our time. Each one reflects a task from our services, from cabling and camera moves to lighting and sound.
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Control room vision mixer desk -
Pedestal camera on the floor -
News set lighting rig -
Audio console in the gallery -
Presenter desk and backdrop -
Studio cabling and patch panel -
Live gallery monitor wall -
Microphone on boom in studio
The kinds of crews we usually help
Our work suits anyone who puts news or live programmes on air from a studio. The groups below describe the audiences we have in mind, and what each tends to need from our services. They are categories of people, not a list of named clients.
Regional news studios
Small crews producing daily bulletins need dependable equipment, consistent lighting and quick set changes without large teams.
Live show production teams
Producers of live formats look for calm rundowns, clear cue sheets and communication plans that hold when the running order shifts.
Studio camera operators
Operators who want steadier framing, smoother moves and better shot discipline on pedestal and robotic cameras benefit from hands-on coaching.
On-air presenters
Presenters need flattering, repeatable lighting and clean audio so that they look and sound the same from one programme to the next.
Gallery and sound crews
Directors, vision mixers and audio engineers need tidy cabling, sensible monitoring and clear talkback to keep a live gallery under control.
Studios planning a new build
Organisations setting up or reorganising a studio need layouts, equipment choices and installation worked out before the first broadcast.